Sporting a new and inspired partially-stacked sensor design, the Nikon Z6 III Mirrorless Camera unlocks a number of flagship-level upgrades for this mid-range camera, including faster and more precise autofocus, professional-level 6K internal raw video, pre-capture at up to 120 fps, and a smooth, bright, colorful EVF. Taken together, these upgrades make this mirrorless monster an ideal choice for aspiring professionals in search of an all-around, affordable camera.
Newly Designed Sensor and Flagship Processing
24.5MP Partially-Stacked CMOS Sensor
The Z6 III is Nikon’s first camera to to feature a partially stacked sensor design for faster scans and readouts than its predecessor. The design also reduces rolling shutter and noise levels when working at the top end of the ISO range. Additionally, this sensor design unlocks many of the flagship-level features in the camera, like faster autofocus, a smoother EVF experience, faster continuous shooting speeds, and higher frame rates when shooting video.
EXPEED 7 Image Processor
Complementing the sensor is the EXPEED 7 processing engine, found in the top-of-the-line Z8 and Z9 mirrorless cameras an which offers speeds approximately 10x faster than the Z6II. This engine works in conjunction with the partially-stacked sensor design to realize impressively fast AF speeds, burst shooting rates, a high buffer capacity, fluid video performance, and quick all-around handling.
Top continuous shooting speeds of 20 fps when shooting in raw, up to 60 fps when shooting in full-frame JPEG, and 120 fps when shooting JPEGs using a DX crop, with all rates supporting full AF/AE performance.
Able to buffer over 1000 images in a burst when using the electronic shutter, meaning image sequences can be recorded for approximately 50 seconds continuously.
Pre-Release Capture at up to 120 fps helps make decisive moment shots easier by recording frames in a burst for up a second prior to actually releasing the shutter. When this feature is activated, burst shooting will commence when the shutter is half-pressed and the buffer will retain up to 3 seconds’ worth of frames prior to fully pressing the shutter.
Electronic shutter affords a top shutter speed of 1/16,000 sec for working in the brightest conditions with wider apertures.
Partially-stacked sensor design reduces rolling shutter distortion so fast-moving subjects, like a golf club, tennis racket, or baseball bat, do not appear distorted when working with shutter speeds up to 1/16,000 sec.
AF calculations are done at a 120 fps rate to keep up with fast continuous shooting speeds.
Fast and Intelligent AF
493-Point Phase-Detection AF
Covering the full sensor area, the Z6 III’s flagship EXPEED 7 processor unlocks Nikon’s flagship 493-point phase-detection AF system to realize fast and accurate focusing performance. This system is benefitted by the high-speed communication of the Z interface along with the speed of the sensor that enables AF readings to occur at up to 120 fps.
This focusing system also supports working in low-light conditions with a Starlight mode that permits focusing down to -10 EV to greatly benefit astrophotography, concert, and other nighttime shooting applications. Featuring the highest native ISO in a Z-series camera at ISO 64000, the autofocus is also useful for working in difficult lighting conditions. The Backlit AF function uses separate pixels on the sensor that allows these areas to intentionally overexpose for focusing accuracy purposes without impacting the actual exposure of the recorded image.
A mainstay focusing mode in DSLRs, which debuted for mirrorless with the Z9, the Z6 III also includes 3D Tracking AF that pairs with subject detection to lock onto fast, erratically moving subjects that move parallel and perpendicular to the camera. Additionally, there are three Dynamic-Area AF modes, with a range of focus area sizes, for capturing a broad variety of moving subject types.
Subject Detection with Deep Learning Technology
Utilizing inherited algorithms and deep learning technology from the Z9, including sophisticated Subject Detection, the Z6 III can recognize a variety of distinct subject types, ranging from humans to animals to airplanes to bicycles. When working in Auto-Area AF, these subjects will automatically be detected, focused on, and tracked to ensure sharp focus when the subject is moving across the frame.Eye-Detection AF, specifically, has been tuned for improved accuracy and refined recognition of eyes in the scene, regardless of how small or large they are within the image frame, and can also be used in conjunction with custom Wide-Area AF for different subject shapes and sizes.
More Beautiful Portraits
Perfect for portraits, the Z6 III improves on the partially-stacked sensor’s inherent capabilities with a series of processing tools and shooting functions to improve portraits:
Portrait mode processes portraits for skin with natural texture and a rounded feel
Rich Tone Portrait mode, a picture mode that produces more vivid results while capturing details of the subject’s complexion and avoiding loss of detail in the highlights
Flat Monochrome mode features gentle gradations from highlights to shadows, producing soft monochrome portraits
Deep Tone Monochrome mode chooses slightly darker tones in the range from shadows to mid-tones, with brightness rapidly increasing as tones progress from mid-tones to highlights
Skin softening can be used on up to three subjects in a shot and slightly blurs the skin for a more pleasing texture while still retaining essential sharpness on eyes and hair
Manual white balance control is more intuitive when making adjustments and Auto WB has also been optimized for human subjects
Take full advantage of Nikon’s portrait modes by pairing the Z6 III with one of Nikon’s portrait Z lenses, like the 50mm f/1.2 S, the 85mm f/1.2 S, or the 135mm f/1.8 S Plena
Pixel Shift Technology
Produce ultra-high resolution images at up to approximately 96 megapixels using pixel shift technology. By slightly shifting the image sensor between shots – selectable between 4 and 32 shots per image, with more shots meaning more detail – users can merge the images in NX Studio after shooting to create a single image with enhanced resolution, texture, and color. The shooting method also also reduces noise, moiré, and false colors. Pixel Shift photography benefits archival, landscape, architecture, fine art, macro, and film digitizing applications, and achieves its best results when working with a tripod.
Professional Level Video
Internal 6K60 and 4K 120 Recording
Equally capable for video, the Z6 III matches the Z9’s recording capabilities here, as well, with a variety of resolutions and frame rates available up to 6K.Using full pixel readout, 6K60p video can be recorded with continuous shooting, while 4K and Full HD recording is also possible in a variety of frame rates, including full-frame 4K recording at up to 120p and Full HD recording at 240p for slow-motion playback.
N-RAW and ProRes RAW Video
Internal 12-bit raw raw recording at up to 6K 60p in the N-RAW format is supported along with internal ProRES RAW HQ. Raw recording offers greater tonal and color latitude and can improve dynamic range, benefitting color grading needs and post-production flexibility.
N-RAW is Nikon’s own raw recording format that offers impressively small file sizes compared to other raw formats as well as the ability to create MP4 proxies for more efficient previewing or transferring.
N-RAW recording is available at up to 6K at 60p and ProRes RAW is also available at up to 6K and 30p.
ProRes and H.265 10-Bit Recording
Internal recording is also supported with 10-bit color and 4:2:2 sampling in the ProRes 422 HQ and H.265 codecs at 5.4K 30p and 5.4K 60p, respectively.
Nikon’s Brightest Viewfinder
The Z6 III’s sensor-processor combo has allowed Nikon to give the Z6 III the brightest electronic viewfinder on any of its cameras. At 4000 nits, it’s 33% brighter than the flagship Z9, making a subject’s details visible even in bright sunlight. Its 5,760,000 dot resolution is also a first for a Nikon EVF, aiding with autofocus by showing the subject recognition square. This EVF also works in conjunction with dual-stream technology for blackout-free viewing when shooting continuously and it features a high fps function, which ups the EVF’s refresh rate to 120 fps for smoother, lifelike viewing. Finally, the Z6 III’s EVF also features a higher dynamic range and is compatible with a DCI-P3 color gamut – the first of its kind in a mirrorless camera – for approximating real-world color when taking the shot.
Four-Axis Tilting LCD
Like the Z9 and Z8, the Z6 III incorporates a unique 3.2″ 2.1m-dot four-axis tilting touchscreen LCD that better supports working from high and low angles, regardless if shooting in the horizontal or vertical orientation. This screen’s four-way tilting design allows for easier viewing from a variety of positions and the user interface orientation will also shift depending on how the camera is held.
Body Design
Dual card slots-one CFexpress Type B slot and one UHS-II SD slot-allow for flexible file saving. The CFx slot is suitable for data-intensive applications, like 6K recording and high-speed burst shooting, while the SD slot retains compatibility with the popular storage format. Additionally, the CFx B slot is also compatible with XQD memory cards.
Pair the Z6 III with the optional MB-N14 Power Battery Pack grip for improved ergonomics when shooting vertical and up to 1.9x the battery life.
The smaller, lighter design makes the Z6 III an ideal candidate for rigging or use on a gimbal for video use.
Premium weather sealing protects against dust and moisture for confident use in harsh climates.
In-body Vibration Reduction now supports Synchro VR to achieve up to 8 stops of camera shake compensation when used with select Z lenses.
Versatile Connectivity
Matching the professional build quality, the Z6 III is fitted with a variety of connectivity options to suit various workflow needs:
Another Nikon first, the Z6 III features direct-to-cloud connectivity with Nikon Imaging Cloud for file transfer and access to Nikon’s imaging recipes for creative color grading
Sync timecodes using Ultrasync Blue from Atmos, connecting multiple Z6 III camera bodies for multi-camera production setups
Full-size HDMI port for outputting video to an external recorder or monitor
3.5mm headphone port and a new line-in port for on-board audio monitoring and high-quality audio input directly into the camera
One USB-C port that supports file transfers and tethering as well as power delivery and battery charging
USB-C communication terminal supports USB-LAN connectivity when paired with an optional USB-C to Ethernet adapter. This enables a 1000BASE-T wired LAN connection for transferring files over FTP
10-pin port offers wide accessories and remote connectivity
Bluetooth and Wi-Fi (2.4 and 5 GHz) permit wireless transferring of files, remote camera control via a mobile device, and works in conjunction with the NX Mobile Air app for file management
Digital camera with support for interchangeable lenses
LENS MOUNT
Nikon Z mount
PICTURE ANGLE
Full-frame / FX-Format
IMAGE SENSOR
SENSOR SIZE
35.9 mm x 23.9 mm
IMAGE SENSOR TYPE
CMOS
TOTAL PIXELS
26.79 million
DUST-REDUCTION SYSTEM
Image sensor cleaning, Image Dust Off reference data (requires NX Studio)
IMAGE AREA (PIXELS)
[FX (36 x 24)] selected for image area: (L) 6048 x 4032 ( 24.4 million) (M) 4528 x 3024 ( 13.7 million) (S) 3024 x 2016 ( 6.1 million) [DX (24 x 16)] selected for image area: (L) 3984 x 2656 ( 10.6 million) (M) 2976 x 1992 ( 5.9 million) (S) 1984 x 1328 ( 2.6 million) [1:1 (24 x 24)] selected for image area: (L) 4032 x 4032 ( 16.3 million) (M) 3024 x 3024 ( 9.1 million) (S) 2016 x 2016 ( 4.1 million) [16:9 (36 x 20)] selected for image area: (L) 6048 x 3400 ( 20.6 million) (M) 4528 x 2544 ( 11.5 million) (S) 3024 x 1696 ( 5.1 million)
EFFECTIVE PIXELS (MEGAPIXELS)
24.5 million
IMAGE SENSOR FORMAT
Full-frame/FX-format
FILE SYSTEM
FILE FORMAT STILL IMAGES
NEF (RAW): 14 bit; choose from lossless compression, high efficiency (high), and high efficiency options JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; size-priority and optimal-quality compression available HEIF: Supports fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; size-priority and optimal-quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats NEF (RAW)+HEIF: Single photograph recorded in both NEF (RAW) and HEIF formats
PICTURE CONTROL
Auto , Standard , Neutral , Vivid , Monochrome , Flat Monochrome , Deep Tone Monochrome , Portrait , Rich Tone Portrait , Landscape , Flat Creative Picture Controls (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon); selected Picture Control can be modified; storage for Custom Picture Controls Note: Choice of Picture Controls is restricted to Standard, Monochrome, and Flat when HLG is selected for tone mode during still photography.
1 CFexpress card or XQD card and 1 Secure Digital (SD) card Either card can be used for overflow or backup storage, for separate storage of NEF (RAW) and JPEG or HEIF pictures, or for storage of duplicate JPEG or HEIF pictures at different sizes and image qualities; pictures can be copied between cards.
VIEWFINDER
VIEWFINDER
1.27-cm/0.5-in. approx. 5760k-dot UXGA OLED electronic viewfinder with color balance and auto and 19-level manual brightness controls; high frame-rate display available
EYE SENSOR
Automatically switches between monitor and viewfinder displays
LENS COMPATIBILITY AT A GLANCE***
Z mount NIKKOR lenses F mount NIKKOR lenses (mount adapter required; restrictions may apply)
VIEWFINDER DIOPTER ADJUSTMENT
‘-4 to +2 m-1
VIEWFINDER EYEPOINT
21 mm (-1.0 m-1; from rearmost surface of viewfinder eyepiece lens)
¹⁄₈₀₀₀ to 30 s (choose from step sizes of ¹⁄₃, ¹⁄₂, and 1 EV, extendable to 900 s in mode M), bulb, time When using an electronic shutter, the shutter speed can be set up to ¹⁄₁₆₀₀₀ s.
Flash synchronizes with shutter at speeds of ¹⁄₂₀₀ s or slower; faster sync speeds are supported with auto FP high-speed sync When using an electronic shutter, flash synchronizes with the shutter at speeds of ¹⁄₆₀ s or slower; and auto FP high-speed sync cannot be used.
CONTINUOUS SHOOTING OPTIONS
Up to 120 fps Continuous low-speed: Approx. 1 to 7 fps Continuous high speed: Approx. 8.1 fps (when using the electronic shutter and image quality settings other than NEF (RAW) and NEF (RAW) +: approx. 16 fps) Continuous high speed (extended): Approx. 14 fps (with electronic shutter: Approx. 20 fps) High-speed frame capture + (C30): Approx. 30 fps High-speed frame capture + (C60): Approx. 60 fps High-speed frame capture + (C120): Approx. 120 fps Maximum frame advance rate as measured by in-house tests.
SELF-TIMER
2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at intervals of 0.5, 1, 2, or 3 s
EXPOSURE
EXPOSURE METERING
TTL metering using camera image sensor
EXPOSURE MODES
AUTO: auto, P: programmed auto with flexible program, S: shutter-priority auto, A: aperture-priority auto, M: manual
EXPOSURE LOCK
Luminosity locked at detected value
EXPOSURE COMPENSATION
Range: -5 to +5 EV (choose from step sizes of 1/3 and 1/2 EV)
METERING RANGE
‘-4 to +17 EV Figures are for ISO 100 equivalent and f/2.0 lens at 20 °C/68 °F
METERING METHOD
Matrix metering Center-weighted metering: Weight of 75% given to 12 or 8 mm circle in center of frame or weighting can be based on average of entire frame Spot metering: Meters circle with a diameter of approximately 4 mm centered on selected focus point Highlight-weighted metering
ISO 100 to 64000 (choose from step sizes of ¹⁄₃ and 1 EV); can also be set to approx. 0.3, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.7, 1, or 1.7 EV (ISO 204800 equivalent) above ISO 64000; auto ISO sensitivity control available Note: ISO sensitivity is limited to 400 to 64000 when HLG is selected for tone mode.
ACTIVE D-LIGHTING
Auto, Extra high, High, Normal, Low, and Off
HIGHEST STANDARD ISO SENSITIVITY
64000
LOWEST STANDARD ISO SENSITIVITY
100
FOCUS / AUTOFOCUS
FOCUS POINT
273 focus points (single-point AF), 299 focus points (auto-area AF); Number of focus points available in photo mode with FX selected for image area
AF-AREA MODE
Pinpoint (available in photo mode only), single-point, dynamic-area (S, M, and L; available in photo mode only), wide-area (S, L, C1, and C2), and auto-area AF; 3D-tracking (available in photo mode only); subject-tracking AF (available in video mode only)
LENS SERVO
Autofocus (AF): Single-servo AF (AF-S) , continuous-servo AF (AF-C) , full-time AF (AF-F; available only in video mode) ; predictive focus tracking Manual focus (M): Electronic rangefinder can be used
VR (VIBRATION REDUCTION) IMAGE STABILIZATION
5-axis image sensor shift
DETECTION RANGE
‘-10 to +19 EV Measured in photo mode at ISO 100 equivalent and a temperature of 20 °C/68 °F using single-servo AF (AF‑S) and a lens with a maximum aperture of f/1.2
AUTOFOCUS SYSTEM
Hybrid phase-detection/contrast AF with AF assist
FLASH
FLASH COMPENSATION
‘-3 to +1 EV (choose from step sizes of ¹⁄₃ and ¹⁄₂ EV)
FLASH-READY INDICATOR
Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output
ACCESSORY SHOE
ISO 518 hot-shoe with sync and data contacts and safety lock
FLASH CONTROL
TTL: i‑TTL flash control; i‑TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i‑TTL fill-flash with spot metering
FLASH SYNC MODES
Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, off
NIKON CREATIVE LIGHTING SYSTEM (CLS)
i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, auto FP high-speed sync, unified flash control
WHITE BALANCE
WHITE BALANCE
Auto (3 types), natural light auto, direct sunlight, cloudy, shade, incandescent, fluorescent (3 types), flash, choose color temperature (2500 to 10,000 K), preset manual (up to 6 values can be stored), all with fine-tuning
WHITE BALANCE BRACKETING
Yes. Exposure and/or flash, white balance, ADL
MOVIE
MOVIE
5376 x 3024 (5.4K): 60p/50p/30p/25p/24p 3840 x 2160 (4K UHD): 120p/100p/60p/50p/30p/25p/24p 1920 x 1080: 240p/200p/120p/100p/60p/50p/30p/25p/24p 1920 x 1080 (slow-motion): 30p x4/25p x4/24p x5 Note: Actual frame rates for 240p, 200p, 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 239.76, 200, 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively. RAW Video: 6048 x 3402: 60p/50p/30p/25p/24p 4032 x 2268: 60p/50p/30p/25p/24p 3984 x 2240: 120p/100p/60p/50p/30p/25p/24p Note: Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively.
MOVIE METERING
TTL metering using camera image sensor
TIME-LAPSE MOVIE
Yes
MOVIE ACTIVE D-LIGHTING
Extra high, High, Normal, Low, and Off
MOVIE ISO
Mode M: Manual selection (ISO 64 to 25600; choose from step sizes of 1/6, 1/3 and 1 EV); with additional options available equivalent to approximately 0.3, 0.7, 1, or 2 EV (ISO 102400 equivalent) above ISO 25600; auto ISO sensitivity control (ISO 64 to Hi 2.0) available with selectable upper limit Modes P, S, A: Auto ISO sensitivity control (ISO 64 to Hi 2.0) with selectable upper limit Note: ISO sensitivity is limited to 400 to 25600 when HLG is selected for tone mode.
MOVIE AUDIO
Built-in stereo or external microphone can be used; external audio devices can be used via line input, audio input sensitivity adjustable; attenuator, frequency response, and wind noise reduction functions
MOVIE AUDIO RECORDING FORMAT
Linear PCM (48 KHz, 24 bit, for videos recorded in NEV or MOV format) , AAC (48 KHz, 16 bit, for videos recorded in MP4 format)
MOVIE VIDEO COMPRESSION
N-RAW (12 bit) , Apple ProRes RAW HQ (12 bit) , Apple ProRes 422 HQ (10 bit) , H.265/HEVC (8 bit/10 bit) , H.264/AVC (8 bit)
MOVIE FILE FORMAT
NEV, MOV, MP4
OTHER OPTIONS FOR VIDEO RECORDING
Time-lapse video recording, electronic vibration reduction, time codes, N-Log and HDR (HLG) video, wave-form display, red REC frame indicator, video recording display zoom (50%, 100%, and 200%), extended shutter speeds (modes S and M), and dual-format (proxy-video) recording for RAW video; option to view video recording info available via i menu; Hi-Res Zoom
MONITOR
MONITOR SIZE
8 -cm ( 3.2 –in.) diagonal
MONITOR RESOLUTION
Approx. 2100 k-dot
MONITOR TYPE
Vari-angle TFT touch-sensitive LCD with 170° viewing angle, approximately 100% frame coverage, and color balance and 15-level manual brightness controls
PLAYBACK
PLAYBACK FUNCTIONS
Full-frame and thumbnail (up to 4, 9, or 72 pictures) playback with playback zoom, playback zoom cropping, video playback, slide shows, histogram display, highlights, photo information, location data display, auto picture rotation, picture rating, voice memo recording and playback, IPTC information embedding and display, filtered playback, skip to first shot in series, series playback, save consecutive frames, and motion blend
INTERFACE
INTERFACE
Type C SuperSpeed USB connector; connection to built-in USB ports is recommended
WI-FI FUNCTIONALITY
Standards: IEEE 802.11b/g/n/a/ac (Europe, Africa, the Middle East, Asia, Oceania, U.S.A., Canada, and Mexico) IEEE 802.11b/g/n/a (The Americas, other than U.S.A., Canada, and Mexico) Operating frequency: Europe (other than Ukraine), Israel, Turkey and India: 2412 to 2472 MHz (channel 13) and 5180 to 5825 MHz (5180 to 5700 MHz and 5745 to 5825 MHz) Algeria, Egypt, Morocco, the Republic of Congo, and Ukraine: 2412 to 2462 MHz (channel 11) and 5180 to 5320 MHz Africa (other than Algeria, Egypt, Morocco, and the Republic of Congo), Asia (other than Turkey), and the Middle East (other than Israel): 2412 to 2462 MHz (channel 11) and 5745 to 5805 MHz U.S.A., Canada, Mexico, Australia, New Zealand, the Republic of Fiji, and Papua New Guinea: 2412 to 2462 MHz (channel 11) and 5180 to 5825 MHz (5180 to 5580 MHz, 5660 to 5700 MHz, and 5745 to 5825 MHz) Other countries in the Americas: 2412 to 2462 MHz (channel 11) and 5180 to 5805 MHz (5180 to 5320 MHz and 5745 to 5805 MHz) Maximum output power (EIRP): 2.4 GHz band: 3.8 dBm 5 GHz band: 9.5 dBm Authentication: Open system, WPA2-PSK, WPA3-SAE
MENUS
SUPPORTED LANGUAGES
English The languages available vary with the country or region in which the camera was originally purchased
POWER
BATTERY / BATTERIES
One EN‑EL15c rechargeable Li-ion battery* *EN‑EL15b and EN‑EL15a batteries can be used in place of the EN‑EL15c. Note, however, that fewer pictures can be taken on a single charge than with the EN‑EL15c. EH-8P AC adapters can be used to charge EN‑EL15c and EN‑EL15b batteries only.
AC ADAPTER
EH-8P AC adapters (available separately); supplied UC‑E25 USB cable required EH‑5d, EH‑5c, and EH‑5b AC adapters; requires EP‑5B power connector (available separately)
BATTERY PACK
H2111 power battery packs (available separately) taking two EN‑EL15c* batteries *EN‑EL15b and EN‑EL15a batteries can be used in place of the EN‑EL15c. Note, however, that fewer pictures can be taken on a single charge than with the EN‑EL15c.
MISCELLANEOUS
WEIGHT (G) (BODY ONLY)*1
Approx. 760 g ( 1 lb. 10.9 oz. ) with battery and memory card but without body cap and accessory shoe cover; approx. 670 g/1 lb. 7.7 oz. (camera body only)
LENGTH X HEIGHT X WIDTH (MM) (BODY ONLY)*
Approx. 138.5 x 101.5 x 74 mm ( 5.5 x 4 x 3 in.)
TRIPOD SOCKET
0.635 cm (¹⁄₄ in., ISO 1222)
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Shipping Policy
Free Shipping
No shipping charges throughout India.
We deliver throughout India, Monday-Saturdays, excluding India Public holidays.
We would dispatch the order in 1-2 working days and it should reach to you in minimum 4 days and maximum in 8 working days
If there is any delay or if the customer has any quarries relating to shipment they can reach to us on 9356372991.
